Review

Massive Attack and Mondays don’t mix. My eyelids weren’t giving gravity much of a fight this afternoon.

Last week’s lucky sneak preview was American Splendor, and it was great. An adaptation of the underground comic of the same name, it is an unassumingly unusual film, whose fusion of documentary and dramatization (both factual and fictional) is only occasionally seamless, but nevertheless assiduously works to marvelous effect. It falters here and there toward the end, as… See more →

After redeeming my pass to a sneak preview of Dirty Pretty Things, I somehow stumbled into the wrong theater; when the lights went down and the film began, I discovered that I would be seeing The Magdalene Sisters instead, followed by a Q&A with its director, Peter Mullan. Since Magdalene was one of many movies on my wish list that didn’t fit into my excessively ambitious Philadelphia Film Festival schedule back in April, I sat… See more →

The Philadelphia stop of the Dismemberment Plan farewell tour was last night at the TLA, and the band made it count, playing a setlist-free, all-request show that lasted nearly two hours. It was bittersweet, to be sure, enjoying such a great show and knowing all the while that it would be my last opportunity to see The Plan live.

My friends and fellow Kutztown alumni in the Table Collective opened a small exhibition with a variety of work in their co-op gallery in North Philly last night. My favorite piece was an untitled sound sculpture comprised of textures contributed by (I think) every artist in the show, which were mixed randomly through two channels. I believe the show will be up through next weekend, when a performance is scheduled for Friday night, but unfortunately… See more →

I was going to begin this long-overdue post with a verbose description of the difficulties of keeping a weblog like this: the busier a person is, the less time he has to write, and the larger the pile of experiences to write about becomes. I have opted instead for the succinct description you have just read, which still has not prevented this from being my longest post to date. There’s tons to talk about, and… See more →

Tonight I rode to and from the First Unitarian Church to see Melt-Banana, whose engrossing, skin-blistering noisepunk is still ringing in my ears.

I ventured out to the Friendship House last night, a cool space in North Philly previously unknown to me. DAT Politics made it hop. Espers made it sleep. Lucky Dragons made it buzz and squeak. Nathan Michel made it chirp. Wrist + Pistols made it twang. There was much knob-twiddling and pointing and clicking. It was a long night, but a good one.

My roommates and I have found a rather nice apartment in South Philadelphia. We signed the lease on Friday. We will move around the end of June.

Friday night was unusual, to be sure, finding my Conshohocken cohorts and me receptive to the idea of following our friend Stan (or “Jason,” as he prefers) to a hotel sports bar in King of Prussia to hang out with people none of us really knew. It turned… See more →

I did a stupid thing Monday night: I forgot to bring my camera when I went to see I Am Spoonbender. When one considers the fact that I was actually thinking about skipping the show, the forgotten camera is almost trivial, but, oh, the images I failed to document…

Needless to say, the show was amazing. Drums, synthesizers, samplers, telephone mics, and various unidentified electronic gadgets (analog and digital) were all manipulated live and fed… See more →

It was a beautiful day for a drive to Doylestown yesterday, where an “Independent Double Feature” screened at the County Theater, consisting of an odd pairing: the Brothers Quay short In Absentia and Chris Smith’s documentary Home Movie, accompanied by Jeff Krulik’s cult favorite Heavy Metal Parking Lot.

In Absentia is typical Brothers Quay fare, which is not to say it is formulaic or predictable. Their surreal images rely heavily on texture, which is often achieved… See more →

Last night was the sixth installment of R5’s “In the Sanctuary Concert Series,” featuring Essex Green, Aereogramme and The Delgados in the sanctuary of the First Unitarian Church (shows at the church are usually in the basement).

Essex Green plays polished, country-tinged psychedelic pop. I’m told their music is the most authentic of the modern psych-pop revivalists, but having little frame of reference from that era and genre, I couldn’t help but be reminded of… See more →

If you read Agatha Christie’s And Then There Were None: Hollywood fed it through the Shyamalan and Craven machines and changed its name to Identity. Wait, that could be read as a compliment. Try this instead: If you saw Adaptation: Donald Kaufman’s script for The Three has been made into a movie. They changed the name to Identity. James Mangold directed it. Thank goodness for free sneak previews. I was thinking about paying to see… See more →

So a bunch of stuff happened in the last week.

Puppetmania on Monday turned out to be the best of the animated shorts program at this year’s Philadelphia Film Festival, offering such gems as Jesse Rosensweet’s The Stone of Folly and Patrick Bouchard’s Brainwashers, both of which I missed at Ottawa last fall. On Friday night, the ultra-low budget kung-fu musical Jesus Christ Vampire Hunter entertained me far beyond my low expectations. On Saturday night,… See more →

More film fest stuff this weekend. I caught a little bit of the Lost Film Fest 8.0 on Friday, including 156 Rivington, a documentary about the legendary New York arts/activism space ABC No Rio, and a selection of short films and interesting copyright lecture by Carrie McLaren, curator of the infamous Illegal Art exhibition and editor of Stay Free magazine. Then I had to fly back across town for the Philadelphia Film Festival presentation of … See more →

Dirty Three and Shannon Wright played an awesome, 3+ hour show at the TLA. Shannon Wright played the guitar with her whole body. Dirty Three’s Warren Ellis provided hilariously long-winded explanations for the origins of each composition the band played. It was a happy night of sad music.

Congratulations to my cousin Bill and his wife Tara, who, around 3:00 on Friday afternoon, gave birth to my tiny new second cousin Justin!

I dove into the Philadelphia Film Festival this weekend, beginning on Saturday with Winged Migration, an amazing nature documentary about migratory birds. Six film crews spent four years following countless species of birds all over the world, filming them with the assistance of all manner of ingenious camera-equipped flying devices. The… See more →

Two shows, seven bands at the Church this week. Sentence fragments ahead.

Sunday

Dysrhythmia: My favorite Philadelphia band; missed the first half of their set. LickGoldenSky: Screamy hardcore not unlike other screamy hardcore. Hot Cross: shrieking metal/melodic hardcore hybrid, a la Drowningman. Burnt by the Sun: What Pantera might have sounded like if they ever got into Black Flag. Singer sounds exactly like Phil Anselmo, but does not appear to be a redneck.

Tuesday

An… See more →

An Albatross: The east coast’s answer to The Locust. Lineup was a little different from the last time I saw them, including requisite addition of cute keyboard girl who couldn’t look less interested in what she’s doing. Singer needs to lose the Mick Jagger/Iggy Pop schtick. Decent set otherwise. Angry Atom: Radio-ready Avail. Only caught the last couple songs. Mih. Wesley Willis: Highlight of my week. Indescribable entertainment value. Played a handful I never heard… See more →

Dysrhythmia: My favorite Philadelphia band; missed the first half of their set. LickGoldenSky: Screamy hardcore not unlike other screamy hardcore. Hot Cross: shrieking metal/melodic hardcore hybrid, a la Drowningman. Burnt by the Sun: What Pantera might have sounded like if they ever got into Black Flag. Singer sounds exactly like Phil Anselmo, but does not appear to be a redneck.

I saw Lost in La Mancha last night, a documentary account of visionary filmmaker Terry Gilliam’s ill-fated first stab at realizing his decade-old script for The Man Who Killed Don Quixote. La Mancha is at once comical and devastating, since it is clear that if Gilliam’s Quixote is ever finished, it will be an astounding picture, but the production is plagued by every problem imaginable (and unimaginable). From a creative perspective, this must be the… See more →

Lightning Bolt’s Wonderful Rainbow refuses to detach itself from my playlist, and has come dangerously close to bullying the rest of the playlist’s discs into silence. I very much like the other music currently in rotation—such as Isis’s Oceanic and Aereogramme’s Sleep and Release—but have thus far permitted Wonderful Rainbow its thoughtless self-indulgence because it is so damn good that its wild cries for attention simply cannot be ignored. The album is no less… See more →

Interpol and The Raveonettes played the Troc last night. I was quite pleasantly surprised by the feedback-drenched Raveonettes, who sounded kind of like a garage-y Jesus & Mary Chain. I think I shall purchase their record. Interpol turned in another stoic performance devoid of spectacle, which is not to say I did not enjoy it. I admit my attention wandered at times (I often wondered, for example, how bored the superfluous keyboard player must be… See more →

Interpol and The Raveonettes played the Troc last night. I was quite pleasantly surprised by the feedback-drenched Raveonettes, who sounded kind of like a garage-y Jesus & Mary Chain. I think I shall purchase their record. Interpol turned in another stoic performance devoid of spectacle, which is not to say I did not enjoy it. I admit my attention wandered at times (I often wondered, for example, how bored the superfluous keyboard player must be… See more →

I waited in line for an hour last night in 20º weather to see Godspeed You! Black Emperor, the first of what is supposed to be many R5 shows at the Starlight Ballroom on 9th St.

The Black Dice opened up. Apparently they decided at some point to take a very different direction from the crazy noisecore stuff I’ve heard. Samplers and effects pedals and loops, oh my! There are lots of people out there… See more →

Busy, busy week. We have updated the BREDSTIK site for the first time in almost a year, with Flash goodies and more from Pete Dalkner, Matt Sutter, and the mysterious Stet Villchicko. If that weren’t enough, the collaborative site I have been referring to cryptically for the last few months is finally live. Since we couldn’t agree on what the site should be, we just split the screen four ways and everyone stays on their… See more →

Peter and I took a trip up to New York yesterday. The early afternoon was occupied by sifting through galleries in Chelsea, the highlights of which were the Tim Gardner and Michael Craig-Martin exhibitions, held (respectively) at 303 Gallery and Gagosian Gallery. The late afternoon was spent being herded around NBC Studios in Rockefeller Center, waiting to see Interpol perform on “Last Call with Carson Daly”. The vast majority of the audience was Interpol fans,… See more →

The Relapse Contamination Festival took over the Troc for the weekend and what a wicked weekend it was. To avoid exhaustion, I pared it down to the essentials and saw only seven of the fourteen bands that played. And I was more than satisfied.

I began the weekend’s festivities Saturday night, battling over parking with the cursed throngs of Philadelphia International Auto Show-goers, arriving just as Alabama Thunderpussy finished up and Cephalic Carnage prepared to… See more →

My Philly faves Dysrhythmia kicked the ass of the packed after-party, as they seem destined to do at every show they play. They’re recording with Steve Albini next week. I can’t wait to hear what that sounds like.

On Sunday night I confirmed the Eagles’ loss before leaving for the show, securing a drive unobstructed by face-painted merrymakers overturning cars in anticipation of the Super Bowl. Today Is The Day made a whole bunch of scary noise that was way better live than it is on their records, at least the later ones. The microphone was halfway down Steve Austin’s throat for the duration of their set. High On Fire was likewise impressive;… See more →

I began the weekend’s festivities Saturday night, battling over parking with the cursed throngs of Philadelphia International Auto Show-goers, arriving just as Alabama Thunderpussy finished up and Cephalic Carnage prepared to take the stage. Neither of those bands ever really piqued my interest, so their antics merely served as mild amusement while I awaited the mighty Mastodon, whose Troy Sanders sports one of the greatest metal faces I’ve ever seen as he bellows through their… See more →

Sonata for the Unaware, the new k10k issue by carbonatedjazz, is the best issue I’ve seen in a long time. There are three simultaneous video clips of public places in Philadelphia; the candid movements of the random people who appear in the clips generate varying bass notes, percussion, and tone frequencies. The 4MB download might scare off the dialup crowd, but it’s totally worth the wait.

I guess it’s been pretty quiet around here. In the last month: I braved the Philadelphia blizzard fallout to get to the sold-out Interpol show at Gasoline and was rewarded with a terrific performance. I caught the final two Andrew W.K. club dates of the year and even got kicked out of one of them (apparently the Chameleon Club in Lancaster has recently found reason not to tolerate members of the audience getting up on… See more →

I caught the final two Andrew W.K. club dates of the year and even got kicked out of one of them (apparently the Chameleon Club in Lancaster has recently found reason not to tolerate members of the audience getting up on their stage).

I braved the Philadelphia blizzard fallout to get to the sold-out Interpol show at Gasoline and was rewarded with a terrific performance.

I avoided seeing The Piano Teacher when it was in theaters in the States last spring because I didn’t want to watch it merely for the controversy and it was of little interest to me otherwise. I watched the DVD last night, however, and in spite of (or perhaps because of) the great displeasure one is subjected to while watching it, I’m very glad I saw it. The writing and performance for Isabelle Huppert’s title… See more →

Okay, Tolkien by himself (or even filtered through the eyes of demigod Peter Jackson) generally bores me, but somehow the mythos of Middle Earth becomes completely tolerable when in the hands of a German power metal band. And so it was with great excitement that I ventured to New Jersey last night to see the triumphant Blind Guardian on the sixth date of the first ever US/Canada tour in their 15-year career. Since their albums… See more →

I really have to start trusting my instincts. Hell, even trusting the evidence of my senses would have sufficed in this case. But some friends of mine that aren’t imbeciles gave The Ring a thumbs-up, so I followed an apparently misguided inclination to think I might agree with them. Ninety minutes into the film, I wondered if its payoff would be the most incredible cinematic redemption in history, or if this experience had merely been… See more →

Halloween was fun. The afternoon was begun with a matinee of P.T. Anderson’s pitch-perfect Punch-Drunk Love, and rounded out by a few hours of my traditional Halloween rock-a-thon, jumping around the house to an exclusively old-school Misfits soundtrack, careful not to expend too much of the energy that would be needed for the evening’s Andrew W.K. show at the Troc. Judging by the way I was able to wring out my shirt afterwards—if not by… See more →

Judging by the way I was able to wring out my shirt afterwards—if not by the fact that my child-size fireman costume was still reasonably intact—I’d say a good time was had.

Happy Birthday, Dad!

Lethargy month is drawing to a close. I’ve been out and about for the usual films and rock shows, but the time spent at home has been occupied with less will to be creative than to stare at the walls and play countless hours of TimeSplitters 2, which might be time better spent if the game wasn’t significantly less good than Perfect Dark. I’m in the process of lulling myself out of… See more →

Skeleton Key at the Balcony was a bit disappointing, as I noticed that singer/bassist Eric Sanko is once again the only surviving founding member, and the new dudes don’t really do it for me.

I finally saw Matt Pond PA play at the Troc and they were damn good, though I thought it a little odd to play a record release show virtually devoid of new material.

I’ve been back from Ottawa for nearly a week now and the annoying cold I contracted while I was there is on its last leg, so I am finally getting around to reporting on the festival. This was the third bi-annual Ottawa International Animation Festival I have been to; I counted seeing 162 short films in just about three days and for the first time there was nothing that really blew me away. Which is… See more →

Last night I went to the Philadelphia Ethical Society in Rittenhouse Square to see Mark Eitzel and the beautiful, beautiful Low. I was previously unfamiliar with Mark Eitzel and I really enjoyed his performance: intense, occasionally humorous acoustic folk, and his voice reminded me of the late Mark Sandman from Morphine. Low was awesome. Given their somewhat extensive discography, the set was perhaps a bit uneven with material almost exclusively from their last two albums,… See more →

I’ll be in Ontario for the next five days at the Ottawa International Animation Festival. Some brief scattered comments before I leave:

One Hour Photo was a stale and boring waste of 95 minutes. I went to see it based on the strength of some decent reviews and the fact that it looked subtly creepy, and while I’ll concede that the production design (particularly set design and lighting) was exceptional, the story was practically nonexistent.… See more →

I caught a free sneak preview of Das Experiment last night. It stars Moritz Bleibtreu of Run Lola Run fame (it took some serious self-discipline to not yell out “Maaannniiiiii!!!!!” when he appeared on the screen) and the story deals with a bunch of ordinary German men involved in a psychological prison experiment in which half the men are designated prisoners and half are designated guards. I’m sure I’m not giving anything away by divulging… See more →

Apparently a 2-disc Faith No More tribute album called Tribute of the Year: A Tribute to Faith No More was released in July. Considering the numerous superstar nü-metal wankers that cite Faith No More as a major influence, I would have expected this thing to be soiled by Limp Bizkit, Papa Roach, et al, but instead it’s soiled by a bunch of obscure industrial bands. Real Player crashed my computer when I tried to listen… See more →

There was much rocking this week.

Saturday night was Andrew W.K. in Jersey, at this weird sprawling complex filled with teenagers called The Birch Hill Concert Hall. Not quite as much fun as the last A.W.K. show since it was so packed and I couldn’t be bothered to wade through the masses to get on the stage. Still a good time, though.

Sunday night was Technician and Dysrhythmia at the Pontiac, and I’m really glad… See more →

I then headed over to the Balcony to see The Trauma Queens, who are always a great time.

Friday night was a packed screening of Stan Brakhage’s The Text of Light at the International House with a live improvised score by William Hooker, Christian Marclay, Lee Ranaldo and Alan Licht. It was very cool, but the hypnotic, non-objective nature of the 80-minute film somehow heightened my awareness of just how horribly uncomfortable the seats in that place are.