Event

I may be living in a backsliding democracy, but at least I finally got to see the mighty Def Leppard!

Another one checked off the bucket list!

That night my two favorite former Sepultura dudes played all my favorite Sepultura songs.

Some stray notes:

• Upchuck’s frontwoman is a powerful performer, but part of her schtick is taking swigs of water or beer and spraying them from her mouth onto the audience. Punk rock abandon or not, I’m astonished anyone doesn’t understand how the events of the past two years have made that kind of behavior 1,000 percent unacceptable.
• Not to say any of their songs are bad, but Amyl and the Sniffers’ set list made me… See more →

Not in the upper echelon of the many Low shows I’ve been to, mainly because I’m somewhat underwhelmed by the new record, Hey What, which I think they played in its entirety. And the rest of the setlist was a bit too familiar, made up mostly of songs they play at pretty much every show these days. Some are classics I’m always game to hear (“Sunflower”) and others not as much (“Monkey,” “Plastic Cup,” “No… See more →

No one can say Baroness aren’t professionals. After two years away from the road, an all-request tour where everything in their roughly 80-song catalog is on the table? Impressive. Ticketholders for each show were able to vote for which songs they wanted to hear, but I unfortunately missed the link in the ticket confirmation email, so I was at the mercy of my fellow audience members, who apparently prefer newer material than I do. The… See more →

Note to self: Look for Mary Lattimore interviews discussing her composition and documentation process. I’ve enjoyed her music casually for a few years, but after now seeing it assembled in real time in front of me—with her hands constantly moving back and forth between the massive harp in front of her and the delay pedal on her lap—I’d love to know more about her mental model for her music. Most other delay-oriented performances I’ve seen… See more →

Before the pandemic took hold and when I still lived in Brooklyn, I had been planning to check out Human Impact’s first-ever show at Saint Vitus in mid-March of last year. I’m lukewarm on the records they’ve put out since, so I wasn’t going to bother with this tour, especially since their tour mates Child Bite (who I’ve previously seen and enjoyed) weren’t playing the Philly show, but my friend Matt invited me to come,… See more →

I bought two tickets to this show during June’s post-vax frenzy of we’re-back-baby optimism. I actually thought someone would go to the show with me! I was so young. Not only were there no takers, I ultimately didn’t even want to go myself. I listened to some Idles records today in advance of the show and came to the sad realization that I’m just not that into this band. But couch inertia has cost me… See more →

Well, this was a learning experience. My previous experiment in seeing a show in NYC and sleeping in my own bed that same night was pretty successful. This time? Not so much. I got to see Greet Death play exactly one song before I turned into a pumpkin. Luckily it was the song I most wanted to hear, “You’re Gonna Hate What You’ve Done,” whose title was also very appropriate for the moment.

As it… See more →

For the second (and hopefully final) year in a row, the Ottawa International Animation Festival was held virtually. This is always the busiest time of year for me, but with the addition of Plus Equals and a couple of other projects, things really piled up this year, which meant I could only make time for the short film competition and two features (one of which, Archipelago, was sadly not available to view outside of Canada).… See more →

Somehow, in the 25 years since I (or anyone else) last saw Deadguy, we all got 25 years older.

Aaaaand we’re back!

This show was originally supposed to happen a year and a half ago, and it’s undoubtedly a different experience now than it would have been then. The last 19 months of COVID loomed large, sure, but for me personally, there was also the issue of my intervening relocation to Philadelphia. A night out in Brooklyn ain’t as convenient for me as it used to be, which, in a number of important ways,… See more →

I wasn’t able to make my annual trip to Ottawa this year for obvious reasons, but thankfully, in lieu of canceling the festival, they took the whole thing online, so I was still able to get my animation fix. Since all kinds of events have had to rapidly move online this year with wildly varying results, I kind of expected it to be a shit show, but with the exception of a few hiccups, I… See more →

@manorastroman_official still kicks ass, even if @market.hotel’s sightlines do not.

If you know a better live band than the Sadies, you live a life of riches.

I was feeling like a slug earlier and the devil on one shoulder told me to skip this show. But the angel an the other shoulder was like, “This excellent band traveled all the way from Busan to play their music for you. Are you really going to deprive them of even one smiling face to greet them?” Thanks, angel.

Previous legs of Slayer’s sprawling farewell tour included support from Lamb of God, Anthrax, Behemoth, Testament, Napalm Death, Obituary, Amon Amarth, and Cannibal Corpse, none of whom could entice me to drag my ass into a cavernous arena or amphitheater. And the last time I saw Slayer turned out to be the last ever appearance of the original lineup, shortly before the untimely death of Jeff Hanneman and the departure of Dave Lombardo, which seemed… See more →

Great to catch up with some Kansas City @usairguitar buddies swinging through Brooklyn tonight!

For most of their existence, and especially since the market for recorded music collapsed, the Misfits have been more of a fashion brand than anything, their logo adorning virtually any object that could conceivably accessorize with a shade of Manic Panic or a pair of Doc Martens. The unlikelihood of a proper Misfits reunion stemmed from the decades-long feud between founding members Glenn Danzig and Jerry Only over how those sweet merch profits should be… See more →

Finally saw my first live performance of Steve Reich’s “Music for 18 Musicians”… in the middle of a shopping mall. Capitalism rubs it in.

I made my annual voyage north this past weekend for the Ottawa International Animation Festival. Forsaking any notion of downtime, I made it to 12 screenings in the space of 48 hours this year. Below are my notes on each of the 56 films in the short film competition, as well as four of the features in competition, and a handful of other screenings. Links are provided to films and trailers when available, with embeds… See more →

This is about the zillionth time I’ve seen @lowtheband and I think the first time I’ve seen them play “Do You Know How to Waltz?” What a gift. My favorite moment of 2019 so far.

When my friend Alex from my Harmonix days announced on Twitter that his first show playing drums for the NYHC band None Above All was coming up, I thought it would be fun to surprise him, see him do his thing, and catch up a bit. And it was! His band was on first and I figured I’d split when they were done. But as soon as I got there, the room’s overwhelming majority of… See more →

I know it’s punk rock and it’s the late show and everything, but this isn’t someone’s basement. A 30-minute set from the headliner? Weak.

Biggest difference between tonight’s @bssmusic show and when I last saw them in 2004 was the woman next to me doing a crossword on her phone

Teenagers have shown us on many occasions that they’re capable of making fresh, exhilarating music, but that music is usually rooted firmly in an existing paradigm: hip-hop, punk, etc. Teenagers are students and students are formalists. One of the most striking things about Black Midi’s fresh, exhilarating, teenage music is its lack of an obvious reference point. It is at times reminiscent of Slint and their math rock descendants, and the funk-tinged post punk of… See more →