Marina Herlop

More than a few moments in Marina Herlop’s Dja Dja tempt me to call it the best Björk album since Vespertine, but Herlop packs far too compelling a range of ideas into this record to just leave it at that. Among other things from my somewhat limited frame of reference for this sort of thing, I hear bits of the choir in Kenji Kawai’s Ghost in the Shell score, the abstract vocal experiments of Mike… See more →