Film diary

I only saw 32 new movies in 2012, and while plenty were good, none of them particularly blew my mind. With a few exceptions, I steered clear of big budget studio fare and stuck mostly to documentaries and unassuming indies. There were several critical darlings of different shapes and sizes that probably would have made my year-end list if I had gotten around to seeing them, but I didn’t. From what I did see, I… See more →

When it appeared in 2007, Paranormal Activity was arguably the best entry in the “found footage” horror sub-genre since that category was kickstarted by the immense success of The Blair Witch Project in 1999. A sort of Blair Witch for the YouTube era, Paranormal Activity capitalized on social media’s self-surveillance culture and applied it to things that go bump in the night, telling the story of a young couple who decided to investigate their home’s… See more →

Horror director Ti West is known for employing a persistent, slow-burning tension in his films, which I admire in principle, but in practice it hasn’t always worked out. His last feature, House of the Devil, was defined by tension built around what we knew and the protagonist didn’t: her babysitting clients were extremely unsavory characters. How it would end was unclear, but there was no question that she would be subjected to a harrowing ordeal… See more →

To begin with, I have no small amount of reverence for Roger Corman. Untold hours of my youth were spent in front of a 13″ television that screened the most outrageous low-budget horror movies my local video store had to offer. Aside from the cheap thrills provided, there was something inspiring about their scrappy production values: a sense that limited resources and skills need not obstruct one’s dreams, and that a creative endeavor’s ostensible shortcomings… See more →

I’ve been following Mike Birbiglia’s work for a few years now, which means I’ve heard this story several times before. Sleepwalk With Me had its origins in his stand-up act, which morphed into a one-man show, which became a book, which has now been adapted into a film. It’s a good story deserving of all these media, but it is still best told onstage with a microphone.

Birbiglia is a gifted storyteller, heartfelt and free… See more →