Alfred Hitchcock

Of all the villains I’ve encountered in fiction, I’m struggling to think of one more loathsome than Strangers on a Train’s Charles Bruno. I don’t feel great about it, because any mid-century, gay-coded character deserves at least some empathy, but this spoiled momma’s boy is simply the worst. I don’t begrudge the movie version’s drastic simplification of Strangers, but Robert Walker’s portrayal of Bruno is so spot-on, I kind of wish Hitchcock could have… See more →

I had a Hitch itch, wanted something short, and hadn’t seen Rope in ages. Perfect, right? Totally forgot about the one-shot schtick until it started, and man, I’ve never found it less impressive. The movie mostly looks like shit: The Technicolor is weirdly drab, and the plot is dialog-driven to the point that the roving camera tends to just flatly center the speaker in the frame. The limited edits do give the proceedings the effect… See more →

A serviceable (if blandly presented) documentary with about a zillion variously-credentialed talking heads discussing Psycho’s iconic shower scene. The scene’s cultural context and lasting influence are 101 stuff, but 78/52 is at its best when it digs into the minutiae of the storyboards, staging, cinematography, sound design—casaba!—editing, symbolism, etc. Even the most dedicated Hitchcock scholar will probably learn something new. The interviews’ steady fawning tone gets a bit grating (only one person… See more →

This is so wonderful. A panoramic time lapse view of everything Jimmy Stewart sees through his window in Rear Window: vimeo.com/37120554

If I were witness to my upstairs neighbors' murders a la Rear Window, solving the mystery would be looking a gift horse in the mouth.