Terminator Genisys
- I was not at all invested in any of the characters (nor did I find the villain even mildly intimidating), despite the fact that they were introduced over thirty years ago in one of my favorite movies. The great J.K. Simmons gives the only enjoyable performance, and it’s wasted on a throwaway character.
- I usually roll my eyes a bit at nostalgic, anti-CGI Luddites, but this is one of those films that completely validates their grievances. Its overzealous audiovisual digital effects rob most of the action of any grounding in reality (which, yes, is fitting/ironic given that the series is one big platitude about the dangers of excessive reliance on technology).
- Who was this written for? The self-consciously Byzantine plot is too dizzying to satisfy a general audience and too riddled with holes to satisfy genre devotees. My only guess is that the audience becomes an afterthought when people are asked to bend over backwards to write a Terminator movie for a 68-year-old Arnold Schwarzenegger (who, even as he recites the bulk of the exposition, doesn’t sound like he understands it himself).
More film and television posts
Hype!
The interviews get pretty repetitive in this rock doc about the post-“Smells Like Teen Spirit” feeding frenzy in Seattle, but they’re well worth sitting through for the film’s treasure trove of live footage of a ton of great bands from the scene who never hit the big time. Oddly enough, for as much as Hype! is about the Pacific Northwest, its most memorable moment for me is a bunch of Japanese rockabilly dudes with comically… See more →
Almost Invisible
I find that a terrible movie that broadcasts its amateur maker’s steep learning curve is usually more interesting than a terrible movie made by a professional for whom it was just another day at the office. And the more ambitious the amateur’s vision, the more compelling their failure. In the case of Almost Invisible, apparently the first and last writing/producing/directing effort of a 50-something MD (currently serving a 13-year federal prison sentence for running a… See more →
Alien Private Eye
This thing is so overloaded with ridiculous ’80s signifiers, and its picture is so pristine, I initially thought it was a nostalgic throwback made sometime in the last 10 years (à la the dreadful Kung Fury). But the hair, the clothes, the cars, and the music are simply too perfect, and that pristine picture comes courtesy of Vinegar Syndrome, patron saints of pulling out all the stops on film restorations no one else would have… See more →
The Odyssey
I’m not really into Christopher Nolan or epic movies, but my knowledge of Greek mythology is shamefully cursory, so I hoped seeing Nolan’s Odyssey would give me the nudge I needed to finally do some proper reading. I enjoyed the film more than I expected to; it’s very effective in many ways (Polyphemus! Circe!) and clunky in others (loud plot forecasting and a clumsy big finish), but I don’t think I looked at my watch… See more →
The Secret Agent
Filho is really good at setting a scene and immersing you in a time and place, and just as I was with the titular town in Bacurau, I was fascinated by The Secret Agent’s recreation of Recife during Brazil’s military dictatorship in the late 1970s. There are so many details and characters, and I didn’t mind that many of them are superfluous to the plot. I also didn’t mind that the plot really takes… See more →
Sirāt
what emotional malfunction makes me so relish being brutalized in this way
Starship Troopers
With the exception of Hollow Man, Paul Verhoeven’s studio sci-fi extravaganzas are all slathered in sociopolitical satire, and this one is arguably the most overt, with Verhoeven, recalling his childhood in the Nazi-occupied Netherlands, saying in an interview:
If I tell the world that a right-wing, fascist way of doing things doesn’t work, no one will listen to me. So I’m going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything… See more →
Eno
It’s still a sad mystery how the Philly screening(s?) of Eno, a groundbreaking documentary about famed musician and producer Brian Eno, came and went early last year without crossing my radar. I’ve met the filmmakers, Gary Hustwit and Brendan Dawes, on various occasions in the past and would have loved to say hi and get eyes on Brain One, the generative engine they built for the film, with hardware designed by Teenage Engineering. As the… See more →
Murder in the Front Row: The San Francisco Bay Area Thrash Metal Story
None of the tunes and few of the faces and stories in this doc will be unfamiliar to thrash aficionados, but as someone who always felt a strong connection to the music and no connection at all to the beer-soaked mayhem that fueled it, I was most interested in the glancing references made to the adults in the room, some of whom were new to me. Metal Blade Records honcho Brian Slagel; Ruthie’s Inn proprietor/promoter… See more →
Backrooms
After seeing the film, I watched Kane Parsons’s entire Backrooms series on YouTube. Though there are some tells here and there that it’s the work of a teenager (and one who’s played a lot of Portal), he’s clearly a prodigious talent, and it’s easy to see why A24 scooped him up to make a feature. Parsons didn’t invent the Backrooms concept—essentially an empty (or is it?), windowless, inescapable yellow maze of a corporate campus—and I’m… See more →