Event

So I went to a Phish show. It was a big deal, not because I love Phish, but because my partner Leah loves them, and I emphatically do not. In our nearly 14 years together, this hasn’t been a problem (apart from the time she tried to make the case that a band I like is similar to Phish, and I, uh, did not respond well), but after I reluctantly agreed to finally go to… See more →

I like Uranium Club so very much, and I was fully prepared to travel to see them (after I learned to speak the incantation that makes their sporadic, unadvertised tour dates appear momentarily in hexadecimal at the bottom of a beer bottle), but then they just showed up in my backyard.

I hadn’t been to Brooklyn Bazaar before, so I wasn’t quite prepared for its ballroom’s 250 capacity, which held about triple the amount of… See more →

At @thetrocadero for the last time. 😢

The Big Mess Cabaret’s endearingly sloppy mix of queer-friendly vaudeville, drag, and burlesque was the first act booked when Joanna Pang took over ownership of the Troc from her father in 1994, making it a fitting finale for the venue 25 years later.

I so love the mere fact of an artist as singular as Björk that I often forget how little of her music actually grabs me. I’m a huge fan of her masterful millennial output, 1997’s Homogenic and 2001’s Vespertine, but given how much else she’s done that doesn’t move me like those records do, it’s probably not fair to call myself a big fan of Björk herself. Cornucopia, advertised as her “most elaborate staged concert… See more →

Reich Richter Pärt is a pair of collaborations between the American composer Steve Reich, the German painter Gerhard Richter, and the Estonian composer Arvo Pärt. I’m an admirer of all three men, so this event was a no-brainer for me, and since I knew Frank would be into it too, I invited him along as a belated birthday gift.

The first performance pairs Pärt’s 2014 choral piece, Drei Hirtenkinder aus Fátima, with wallpapers and tapestries… See more →

There were definitely more men in their 50s at this show than I expected to see!

I went partly because I enjoy Colleen’s records and partly as something of a recon mission: As I’m focusing more on making music again, singing and playing power chords live over canned backing tracks is an approachable performance goal, and I wanted to see how well a pro could make it work. Colleen’s biggest strength is her songwriting, and… See more →

Leah and I discovered, roughly seven years after the fact, that we were at the same Soul Coughing show in Philly in 1998, long before we met. This Mike Doughty show was a fun opportunity to kind of recreate that night as if we had actually spent it together.

Soul Coughing was perhaps the most unique band to find a larger audience during the permissive major-label alt-rock boom of the ’90s, and to my ears,… See more →

I hadn’t planned to publish this post since I failed to document this fest as thoroughly as the previous one, but I decided not to waste the bits I did document, so here they are.

Short Film Competition

The first short film competition screening was probably the least kid-friendly screening at the festival, and sure enough, a family with kids was front and center in the theater. Saturday morning cartoons, right? Literally two seconds in,… See more →

omg

At the Sleep show. It smells like Otto’s jacket.

I’m in England (for the first time!) where I’ve just attended Clearleft’s outstanding Ampersand conference in Brighton. I was a little concerned that the combination of jet lag and the (otherwise excellent) venue’s warm temperature would make it hard for me to focus, but the lineup of speakers was more than engaging enough to overcome those obstacles. The most discussed topic of the day was, unsurprisingly, variable fonts, support for which has begun… See more →