Film diary
2,076 movies I’ve watched since 2011
See also my other posts about film
Conclave
Surely no movie in 2024 made use of more fabric than this one.
Around the one-hour mark, for about five seconds, I naively thought that just maybe I would be the first to describe this film as a pope opera. Maybe next time.
Vice Squad
I watched a shitty VHS transfer on Tubi for a very appropriate extra layer of grime.
Tanner ’88
I only recently discovered this HBO miniseries from Garry Trudeau and Robert Altman, whose fictional narrative intersects in real time with the real-life 1988 U.S. presidential primary elections, and while its overall substance was clearly an influence on Aaron Sorkin’s The West Wing, I thought I’d note a few tidbits from Sorkin’s series that seem to be Tanner ’88 homages:
- Both series have a spare martial drumbeat over their “Previously on [this show]” intros
- Both… See more →
American Hustle
Embarrassing, tedious Scorsese wannabe shit. Thought it would be a fun watch on a lazy Sunday and quit halfway through. Blah.
Black Bag
Kinda wild to take in this tasty morsel of espionage competence porn on the same day it’s revealed that a cabal of U.S. cabinet secretaries accidentally invited the editor of a major magazine along for the ride when they planned a bombing using something they downloaded from the App Store.
High Fidelity
Cusack is a pro who knows how to gracefully navigate insipid interview questions, and I’m sure he wouldn’t do it if it weren’t a decent payday, but it was still kinda hard to watch him endure a post-screening Q&A with a local corporate rock radio DJ and a theater full of middle-aged nostalgia freaks.
Steak
Steak is Quentin Dupieux’s first feature film, which I enjoyed more than I expected considering that I don’t remember much liking Rubber, the film he made after it, when I saw it some 15 years ago. Steak’s comic beats, bizarro world of Clockwork Orange-tinged perpetual high school, and bumping electronic soundtrack all cohere into a satisfyingly absurdist satire of conformity, reminiscent at times of Yorgos Lanthimos’s more accessible moments. And it’s perfectly paced:… See more →










































