Philadelphia

I finally saw Matt Pond PA play at the Troc and they were damn good, though I thought it a little odd to play a record release show virtually devoid of new material.

I’ve been back from Ottawa for nearly a week now and the annoying cold I contracted while I was there is on its last leg, so I am finally getting around to reporting on the festival. This was the third bi-annual Ottawa International Animation Festival I have been to; I counted seeing 162 short films in just about three days and for the first time there was nothing that really blew me away. Which is… See more →

Last night I went to the Philadelphia Ethical Society in Rittenhouse Square to see Mark Eitzel and the beautiful, beautiful Low. I was previously unfamiliar with Mark Eitzel and I really enjoyed his performance: intense, occasionally humorous acoustic folk, and his voice reminded me of the late Mark Sandman from Morphine. Low was awesome. Given their somewhat extensive discography, the set was perhaps a bit uneven with material almost exclusively from their last two albums,… See more →

There was much rocking this week.

Saturday night was Andrew W.K. in Jersey, at this weird sprawling complex filled with teenagers called The Birch Hill Concert Hall. Not quite as much fun as the last A.W.K. show since it was so packed and I couldn’t be bothered to wade through the masses to get on the stage. Still a good time, though.

Sunday night was Technician and Dysrhythmia at the Pontiac, and I’m really glad… See more →

I then headed over to the Balcony to see The Trauma Queens, who are always a great time.

Friday night was a packed screening of Stan Brakhage’s The Text of Light at the International House with a live improvised score by William Hooker, Christian Marclay, Lee Ranaldo and Alan Licht. It was very cool, but the hypnotic, non-objective nature of the 80-minute film somehow heightened my awareness of just how horribly uncomfortable the seats in that place are.

Thursday night was Wire and Oxes at Gasoline Warehouse. Oxes put on a great wireless show as usual—this time with no setlist—though they were clearly displeased with the Philly scene’s usual mundane lack of participation. As for Wire, I know they’re legends, but I just never listened to much of their stuff before, so I didn’t really have a frame of reference for their performance. From what I understand, they did mostly new stuff, with… See more →

Sunday night was Technician and Dysrhythmia at the Pontiac, and I’m really glad these guys are from Philly so I have plenty of chances to see them. Dysrhythmia: Complicated, technical mix of math rock, metal, punk, jazz and prog. Sounds unlike anyone else. Technician: Often compared to Shellac. Very stripped down, winding and unpredictable song structures. They’re touring together this fall, so check ’em out if they come to your town.

Friday night was a rewarding but ultimately forgettable show at the Troc with The Shins, Beachwood Sparks, and some horrible band whose name I didn’t bother to remember. (I should probably look into it so as to avoid accidentally seeing them play in the future.)

Saturday night I went with some friends to see Road to Perdition. I gave Sam Mendes top marks for American Beauty, but he doesn’t seem to have much respect for… See more →

Tonight my friend Jason’s band The Trauma Queens played at the Khyber. Garage, blues, punk, ala The Hives. Loads of energy. Great show.

Friday night was a rewarding but ultimately forgettable show at the Troc with The Shins, Beachwood Sparks, and some horrible band whose name I didn’t bother to remember. (I should probably look into it so as to avoid accidentally seeing them play in the future.)

Ah, the Khyber. I hadn’t been there in awhile. Tonight’s crowd was just the size I like: the audience was large enough to make the bands feel loved, but small enough to allow me to breathe. Tonight’s highlight was Aereogramme (not coincidentally the band I went to see), a melancholy Glasgow rock band with loud/soft dynamics kind of similar to fellow Scots Mogwai, but also with some weird time signature power-riffing ala the sadly defunct … See more →

Great show last night at the Balcony.

Thoughtstreams kicked off the show around 10:00. I’d heard of them before (mostly from them playing shows with Dysrhythmia), but this was the first time I’d seen them. Impressive. Very technical, jazzy avant-metal, kind of reminiscent of Cynic, but less focused. I have to appreciate the genre parody of such song titles as “To Devour Ovaries.”

Up next was Technician, who I’ve been digging on for several months now,… See more →

Czech surrealist Jan Švankmajer’s fantastic Conspirators of Pleasure screened tonight at the International House. This is the first Švankmajer feature I’ve seen (though I’ve seen plenty of his shorts) and I’m pleased to report that it was well worth another 85 minutes in the theater’s notoriously uncomfortable seats. The International House’s Post-Communism Film Series (which this film was a part of) continues through the weekend and I nearly shit myself when I noticed they’ll be… See more →

I hadn’t been to the Philadelphia Museum of Art in a year or so, so I went on Saturday. Primary points of interest were the massive Barnett Newman exhibition and Out of the Box: 20th Century Print Portfolios, including works by Man Ray, El Lissitzky, Andy Warhol and more. I was also happy to stumble upon a room I somehow never saw before, which was full of turn-of-the-century magazine covers (Harper’s, Lippincott’s, etc) by such… See more →

Yesterday I escaped the unseasonable sweltering heat for a couple hours with a visit to the Philadelphia ICA. The Photogenic exhibition was especially slick, including a number of works that applied photographic principles to other media, such as relief sculpture. Shoot the Singer: Music on Video was slightly disappointing, but still well worth seeing. Particularly noteworthy was a video piece with footage from a 1982 Minor Threat show woven with an interview with a 20-year… See more →