Wise Blood
John Huston, 1979,
It might seem surprising that Brad Dourif’s intense and fascinating performance in Wise Blood didn’t get him much higher visibility in Hollywood, but it’s hard to imagine a more singularly challenging character for audiences than Flannery O’Connor’s anti-preacher, Hazel Motes, whose all-consuming contempt Dourif projects forcefully and without apology. If this film underwent test screenings, it seems to have refused to be influenced by them, with the possible exception of its ill-fitting, whimsical score, something it would definitely be better without.