Mostly irredeemably sadistic trash, but its periodic flashes of artfulness—and Meiko Kaji’s withering glare—are enough to recommend it.
Female Prisoner #701: Scorpion
Shunya Ito, 1972,
Shunya Ito, 1972,
Mostly irredeemably sadistic trash, but its periodic flashes of artfulness—and Meiko Kaji’s withering glare—are enough to recommend it.