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Cronos

Guillermo del Toro, 1992,

Owing to the central relationship between a kindly antiques shop owner and his granddaughter, as well as the enchantingly mysterious mechanical device that upends their lives, Cronos feels kind of like a Jean-Pierre Jeunet stab at horror, which I guess could be said of several of Guillermo del Toro’s films. That said, Cronos’s imagination and balance of sickly and sweet make for a strong debut. The villains (Claudio Brook and Ron Perlman) aren’t nearly as well-developed as the hero (Federico Luppi), so the stakes never feel all that high, but Luppi is a joy to watch nonetheless.