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Superbad

Greg Mottola, 2007,

Apatow productions have a habit of reveling in the pathetic frailty of maleness, and in a way that usually doesn’t do much for me. Superbad, the apotheosis of the form, an effortless synthesis of vulgarity and tenderness, is the one that finally reached me. Every time I see it, I laugh until I cry, and then I laugh some more.