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That Was 2024

My year in review

I was hopeful, if not naive enough to be confident, that enough people were sufficiently fed up with That Fucking Guy to keep him from returning to the White House. But he will, of course, be returning, and while this time his victory isn’t the shock to the system it was in 2016, his popular vote win, a hair shy of a mandate, still stings plenty. The Democratic Party’s subsequent soul-searching might be morbidly comical… See more →

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That Was 2023

My year in review

I’ll begin by briefly weighing in on five of the most prominent pieces of the 2023 zeitgeist, at least from where I was sitting. Some cynical vibes ahead, so feel free to skip past this part if you’re not in the mood for negative energy:

  • Taylor Swift: Gen Z’s version of Beatlemania is a bit of a head-scratcher for me, since I find Taylor Swift’s music to be entirely unremarkable, but that didn’t stop her… See more →
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Field Day: New York City

Featuring art from Tara Donovan, Odili Donald Odita, Edward Hopper, Guillermo del Toro, Alex Katz, and Nick Cave

As I mentioned in my 2022 year in review, I’ve developed a new habit over the past year as part of my creative practice—something I call a “field day.” Ideally at least twice a month or so, I’ll get out of the house for the day and absorb things in the outside world. It most often takes the form of visiting museums, galleries, and cinemas, but virtually any activity qualifies, as long as I’m out… See more →

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That Was 2022

My year in review

Maude

Leah and I became dog parents early in 2022, adopting a 15-pound, two-year-old Jack Russell / Chihuahua mix. Knowing Roe v. Wade would soon be overturned, we named her Maude, after the Bea Arthur character, who in 1972 was the first sitcom character to have an abortion. Living with Maude has been a big adjustment, but after getting over the initial hump, I’m not sure how we ever lived without her. She loves belly… See more →

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