Film

After spending hours reading the program guide from cover to cover, I have compiled this list of screenings and events I’m going to try to get to at this year’s Philadelphia Film Festival. I’ve worked out a schedule which—on top of the regular 40 hour work week—would be physically possible, but it’s improbable that I’ll actually make it to everything. It should be noted that there were a lot of other films I wanted to… See more →

Busy, busy week. We have updated the BREDSTIK site for the first time in almost a year, with Flash goodies and more from Pete Dalkner, Matt Sutter, and the mysterious Stet Villchicko. If that weren’t enough, the collaborative site I have been referring to cryptically for the last few months is finally live. Since we couldn’t agree on what the site should be, we just split the screen four ways and everyone stays on their… See more →

I guess it’s been pretty quiet around here. In the last month: I braved the Philadelphia blizzard fallout to get to the sold-out Interpol show at Gasoline and was rewarded with a terrific performance. I caught the final two Andrew W.K. club dates of the year and even got kicked out of one of them (apparently the Chameleon Club in Lancaster has recently found reason not to tolerate members of the audience getting up on… See more →

I avoided seeing The Piano Teacher when it was in theaters in the States last spring because I didn’t want to watch it merely for the controversy and it was of little interest to me otherwise. I watched the DVD last night, however, and in spite of (or perhaps because of) the great displeasure one is subjected to while watching it, I’m very glad I saw it. The writing and performance for Isabelle Huppert’s title… See more →

It’s doubtful this will be of any interest to many people besides me, but since I can think of at least one regular visitor who shares my particular fascination with 1980s über-schlock B-horror, I’ll go ahead: I watched Chopping Mall for the first time in ages last night and noticed for the first time that it shared the director, composer, and a sizable cast percentage with the 1988 remake of the Roger Corman classic Not… See more →

I really have to start trusting my instincts. Hell, even trusting the evidence of my senses would have sufficed in this case. But some friends of mine that aren’t imbeciles gave The Ring a thumbs-up, so I followed an apparently misguided inclination to think I might agree with them. Ninety minutes into the film, I wondered if its payoff would be the most incredible cinematic redemption in history, or if this experience had merely been… See more →

Halloween was fun. The afternoon was begun with a matinee of P.T. Anderson’s pitch-perfect Punch-Drunk Love, and rounded out by a few hours of my traditional Halloween rock-a-thon, jumping around the house to an exclusively old-school Misfits soundtrack, careful not to expend too much of the energy that would be needed for the evening’s Andrew W.K. show at the Troc. Judging by the way I was able to wring out my shirt afterwards—if not by… See more →

Happy Birthday, Dad!

Lethargy month is drawing to a close. I’ve been out and about for the usual films and rock shows, but the time spent at home has been occupied with less will to be creative than to stare at the walls and play countless hours of TimeSplitters 2, which might be time better spent if the game wasn’t significantly less good than Perfect Dark. I’m in the process of lulling myself out of… See more →

I’ve been back from Ottawa for nearly a week now and the annoying cold I contracted while I was there is on its last leg, so I am finally getting around to reporting on the festival. This was the third bi-annual Ottawa International Animation Festival I have been to; I counted seeing 162 short films in just about three days and for the first time there was nothing that really blew me away. Which is… See more →

I’ll be in Ontario for the next five days at the Ottawa International Animation Festival. Some brief scattered comments before I leave:

One Hour Photo was a stale and boring waste of 95 minutes. I went to see it based on the strength of some decent reviews and the fact that it looked subtly creepy, and while I’ll concede that the production design (particularly set design and lighting) was exceptional, the story was practically nonexistent.… See more →

I caught a free sneak preview of Das Experiment last night. It stars Moritz Bleibtreu of Run Lola Run fame (it took some serious self-discipline to not yell out “Maaannniiiiii!!!!!” when he appeared on the screen) and the story deals with a bunch of ordinary German men involved in a psychological prison experiment in which half the men are designated prisoners and half are designated guards. I’m sure I’m not giving anything away by divulging… See more →

There was much rocking this week.

Saturday night was Andrew W.K. in Jersey, at this weird sprawling complex filled with teenagers called The Birch Hill Concert Hall. Not quite as much fun as the last A.W.K. show since it was so packed and I couldn’t be bothered to wade through the masses to get on the stage. Still a good time, though.

Sunday night was Technician and Dysrhythmia at the Pontiac, and I’m really glad… See more →

My animated LEGO Trilogy shorts collection will be screening at the Bumpin’ Big Top at midnight this Saturday as part of a “Best of The Lost Film Festival” program for the Philadelphia Fringe Festival. The entire program is also available on DVD, which will be sold at the screening and can be ordered from the merchandise section of the Lost Film Fest web site. Tickets are available online for the rather outrageous sum of $10… See more →

M. Night Shyamalan is smart. He knows people don’t want to see a movie about Mel Gibson struggling with his faith if it doesn’t somehow involve, you know, aliens and crop circles and shit. The slogan in the Signs commercials encourages you, “Don’t see it alone,” but I would shorten it to “Don’t see it.”

This month’s Exhumed Films event (which was last night) featured two films from Stuart Gordon and Brian Yuzna, the director/producer team behind 1985’s fantastic Re-Animator. For that reason, I had kind of high hopes for Dagon and From Beyond. And for that reason, I was doomed to even greater disappointment.

Like Re-Animator, both films were based on short stories by H.P. Lovecraft. Now, it’s only fair to mention that I’ve never actually read any Lovecraft,… See more →

Mary and I were all set to go see Tuatara last night before we discovered that they cancelled the show in favor of a second stage opening slot for The Who. Rather than pay $35 to see them do a shorter set on an enormous stage from seven miles away, I was talked into renting The Mothman Prophecies, which turned out to be just the snore of a two hour “X-Files” episode I expected it… See more →

Friday night was a rewarding but ultimately forgettable show at the Troc with The Shins, Beachwood Sparks, and some horrible band whose name I didn’t bother to remember. (I should probably look into it so as to avoid accidentally seeing them play in the future.)

Saturday night I went with some friends to see Road to Perdition. I gave Sam Mendes top marks for American Beauty, but he doesn’t seem to have much respect for… See more →

I was very pleased today to discover that the lineup on the new Skeleton Key album Obtainium is identical to their original lineup, with the apparent exception of the drummer. There was cause for alarm when I saw them in NYC last year with a new stripped-down lineup that did not include junk player Rick Lee or guitarist Chris Maxwell, but apparently they have returned and brought the rock back with them (which isn’t to… See more →

Volumes 1 and 2 of the Lost Film Fest DVD compilations are now available. I’m not sure if they’ve actually been released yet, but they’re definitely available for pre-order. Included in the first volume is the LEGO Trilogy, directed by yours truly, which comprises my first three (and so far only three) animated LEGO films, the last of which was completed about three and a half years ago (a stern reminder that I should really… See more →

Just got back from a weekend in New York, primarily for two nights’ worth of sold out shows at North Six in Brooklyn.

Saturday night was The Fucking Champs, Rye Coalition, and Drunk Horse, the denser of the two shows in terms of quality. The Fucking Champs were excellent as usual, Rye Coalition was significantly more entertaining than the last time I saw them (insane energy, plus the singer put on some weight and has… See more →

There are still a couple days left to check out the Lost Film Festival 7.0 in West Philly; it is certain to satisfy any uber-DIY anarchist film cravings you may have been having. I’ll be there tomorrow and Friday.

I finally saw Miller’s Crossing this weekend; it was the last of the Coen brothers’ films I hadn’t seen. It is now nearly my favorite (Fargo still refuses to give up the title).

It’s a three movie week.

Spiderman was pretty fun; it’s rare these days for a movie to have an acceptable excuse to be that hokey. Bruce Campbell and Randy “Macho Man” Savage cameos were the highlights for me. I do think people are getting a little too worked up over the movie, though.

Y Tu Mama Tambien was very well-done. Strong characters, interesting commentary on Mexico’s socio-economic innards, and a commendably frank and honest sexuality.… See more →

Czech surrealist Jan Švankmajer’s fantastic Conspirators of Pleasure screened tonight at the International House. This is the first Švankmajer feature I’ve seen (though I’ve seen plenty of his shorts) and I’m pleased to report that it was well worth another 85 minutes in the theater’s notoriously uncomfortable seats. The International House’s Post-Communism Film Series (which this film was a part of) continues through the weekend and I nearly shit myself when I noticed they’ll be… See more →

Should I go see Trouble Every Day on Thursday or should I go see The Locust? I don’t think I’ll have another chance to see Trouble Every Day in theaters in Philly, whereas The Locust will likely be coming around again within a year. Hmm. Tonight is A Chronicle of Corpses, which I’ve been looking forward to seeing for awhile now.

This past weekend I made some reasonable progress on the BREDSTIK redesign; it is… See more →

I survived the trip home, and apparently spring arrived while I was gone. The ice cream man is in full effect. Since I missed the first half of the Philadelphia Festival of World Cinema, I’m diving in tomorrow night with a late screening of the U.S. premeire of Versus. Looks delicious.

My generous hosts and I got back a couple hours ago from seeing a gorgeous digitally remastered 70mm print of 2001: A Space Odyssey at the Music Box Theatre. Wow.

This afternoon I paid my inaugural visit to the inside of The Art Institute of Chicago (I took some fabulous photos of my sock monkey around the exterior last spring). Lots of cool stuff in there, including a number of Lautrec and Renoir paintings I’ve… See more →