Wes Anderson

Hello, dear reader!

April is gone, but its links remain.

I’ve been obsessed with my current personal project lately (more on that soon), so apart from a handful of very brief movie reviews, I didn’t do much writing in April, though the web designers in the audience might want to take a look at my notes from last week’s Generate conference.

The links this go-round include some gems for Prince fans on the second anniversary of… See more →

Wes Anderson’s films are all effectively stop-motion animation, and part of what I find off-putting about most of his live-action work is the resulting reverse-uncanny-valley effect. I had been over his schtick for years by the time Fantastic Mr. Fox came out and made me realize that the world of proper animation is where Anderson belongs. Isle of Dogs is a welcome return to that place.

Though he occasionally rises above it, Wes Anderson’s real great talent is in actively, counter-intuitively preventing an emotional connection between character and audience. I have never seen anyone work so hard to undermine his own ostensible goals. In spite of the delight his twee aesthetic elicits from his fan base, Anderson’s characters tend to be lifeless props populating meticulously constructed dioramas which were designed to be admired from the outside.

If being emotionally impenetrable truly… See more →