Tommy Lee Wallace

Prompted by the 2017 film adaptation of It, I revisited the 1990 miniseries version for the first time in more than two decades, and it holds up about as well as expected. The kids are decent, the adults are laughably melodramatic, and the finale is pretty embarrassing. Even at a runtime exceeding three hours, this adaptation can barely scratch the surface of King’s sprawling novel, and the questions it leaves unanswered hurt more than they… See more →

Every October, I put together a big schedule of horror films, most of which I haven’t seen before. Films, dates, and times (all subject to change) are listed for any friends who want to join me, and ticket links are included for public screenings. The schedule is also available as a handy Google calendar and as a Letterboxd list.

Below the schedule you can find a bit about how it’s curated as well as a roundup… See more →

Every October, I try to watch as many horror films that I haven’t seen before as possible.

Hostel

Eli Roth (USA, Czech Republic, 2005)

Three backpackers head to a Slovak city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.

Saw

James Wan (USA, 2004)

Two men awaken to find themselves on the opposite sides of a dead body, each with specific instructions to kill the other or… See more →

A lot of foley artists and sound designers in the ’70s and ’80s seemed to have this fetishistic preoccupation with footsteps. In any scene where people were on the move, the soundtrack focused on footfalls to the exclusion of all else. The foley was produced with what I’m guessing was a maximum of three different kinds of shoes (loafers, heels, tennis shoes) on two different surfaces (asphalt, linoleum-tiled concrete). Despite being thoroughly unconvincing, it dominated… See more →