Massimo Dallamano

Not quite as good as What Have You Done to Solange?, and the ending is anticlimactic, but still a great police procedural that never stops moving and gives plenty of screen time to its motorcycle maniac with an oversized meat cleaver. One of the rare occasions I kind of wish I had watched the English-dubbed version, which might have made the copious dialogue easier to follow.

Every October, I put together a big schedule of horror films to watch, focusing mostly on ones I haven’t seen before. The schedule, a mix of theatrical screenings and home viewings, is published for posterity and for the sake of anyone who might like to join me.

This year I seem to be nostalgic for the age of Satanic panic, as I’ll be doing concurrent, chronological deep dives on The Exorcist and The Omen, two… See more →

Every October, I put together a big schedule of horror films to watch, focusing mostly on ones I haven’t seen before. The schedule, a mix of theatrical screenings and home viewings, is published for posterity and for the sake of anyone who might like to join me.

This year’s batch is a little less focused than usual, drawn from new releases, repertory screenings in Philadelphia, recent additions to Time Out’s “100 Best Horror Films,” Criterion… See more →