Mario Bava

This stylish proto-slasher is stupider and trashier than the more highly regarded gothic works of Bava’s horror ouevre, and more enjoyable for it. A Bay of Blood is a must-see for anyone interested in how giallo films paved the way for slashers, especially since Friday the 13th borrowed from it liberally.

Sumptuous visuals with atmosphere to spare, but I wish there were more of a story to hang them on. Simple tales of vengeful ghosts are common and often satisfying, but I found this one repetitive and shallow.

Every October, I put together a big schedule of horror films, most of which I haven’t seen before. Films, dates, and times (all subject to change) are listed for any friends who want to join me, and ticket links are included for public screenings. The schedule is also available as a handy Google calendar and as a Letterboxd list.

Below the schedule you can find a bit about how it’s curated as well as a roundup… See more →

For the second time, I’ve failed to be mindful of which version of a Mario Bava film I’m watching, this time with Evil Eye, the apparently inferior English-language recut of The Girl Who Knew Too Much. Fool me twice, shame on me. Evil Eye’s sumptuous black and white cinematography is a joy to behold, but its murder mystery is muddled by clumsy tonal shifts and an overbearing score.

Every October, I put together a sizable schedule of horror/thriller/exploitation films, most of which I haven’t seen before. Dates and times (subject to change) are listed for any friends who want to join me. Also available as a handy Google calendar!

Don't Breathe

Fede Álvarez (USA, Hungary, 2016)

Three delinquents break into the house of a war veteran who is blind to steal his money. However, they discover that the man is not as defenseless as… See more →

After reading up on Black Sabbath a bit, I wish I had sought out the original Italian version, rather than settling for the sanitized English version released by American International Pictures (which is the one currently available on Netflix in the States). Of the film’s three short stories, one (“The Telephone”) is edited severely enough to completely change its meaning, but thankfully, a discerning eye can still spot traces of its more lurid giallo origins… See more →

Every October, I try to watch as many horror/suspense films that I haven’t seen before as possible. Dates and times (subject to change) are listed for any friends who want to join me.

The Devil’s Backbone

Guillermo del Toro (Spain, Mexico, 2001)

After Carlos – a 12-year-old whose father has died in the Spanish Civil War – arrives at an ominous boys’ orphanage, he discovers the school is haunted and has many dark secrets which… See more →

Every October, I try to watch as many horror/suspense films that I haven’t seen before as possible. This is the first year the films were somewhat carefully selected and scheduled in advance. They span seven decades and eight countries. Dates and times (subject to change) are listed for any friends who want to join me.

Don’t Look Now

Nicolas Roeg (UK, Italy, 1973)

A married couple grieving the recent death of their young daughter are… See more →