Interpol

Interpol and The Raveonettes played the Troc last night. I was quite pleasantly surprised by the feedback-drenched Raveonettes, who sounded kind of like a garage-y Jesus & Mary Chain. I think I shall purchase their record. Interpol turned in another stoic performance devoid of spectacle, which is not to say I did not enjoy it. I admit my attention wandered at times (I often wondered, for example, how bored the superfluous keyboard player must be… See more →

Interpol and The Raveonettes played the Troc last night. I was quite pleasantly surprised by the feedback-drenched Raveonettes, who sounded kind of like a garage-y Jesus & Mary Chain. I think I shall purchase their record. Interpol turned in another stoic performance devoid of spectacle, which is not to say I did not enjoy it. I admit my attention wandered at times (I often wondered, for example, how bored the superfluous keyboard player must be… See more →

Peter and I took a trip up to New York yesterday. The early afternoon was occupied by sifting through galleries in Chelsea, the highlights of which were the Tim Gardner and Michael Craig-Martin exhibitions, held (respectively) at 303 Gallery and Gagosian Gallery. The late afternoon was spent being herded around NBC Studios in Rockefeller Center, waiting to see Interpol perform on “Last Call with Carson Daly”. The vast majority of the audience was Interpol fans,… See more →

I guess it’s been pretty quiet around here. In the last month: I braved the Philadelphia blizzard fallout to get to the sold-out Interpol show at Gasoline and was rewarded with a terrific performance. I caught the final two Andrew W.K. club dates of the year and even got kicked out of one of them (apparently the Chameleon Club in Lancaster has recently found reason not to tolerate members of the audience getting up on… See more →

I braved the Philadelphia blizzard fallout to get to the sold-out Interpol show at Gasoline and was rewarded with a terrific performance.

Oh man, this Interpol Turn on the Bright Lights album is soooo good; I cannot stop listening to it. Spacey, melancholy, shoegazey rock with touches of goth and ’80s influences like Joy Division and The Cure. The singer sounds like the offspring of a secret marriage between Peter Murphy and Michael Gira from Swans. I’ve never been a huge fan of any of the bands I just mentioned (not that I particularly dislike any of… See more →