April 2021

More of this, please! twitter.com/gavinpurcell/s…

A few stray thoughts:

• I love listening to David Cronenberg talk about the thematic underpinnings of his films, but I find that his work rarely lives up to his descriptions of it. Possessor, directed by his son Brandon, is more like what those descriptions would lead me to expect; its ideas about the intersections of technology and identity are neither plainly stated nor willfully obfuscated.

• Possessor is a welcome heir to the elder Cronenberg’s most… See more →

Philly people! The FEMA site at the convention center is doing walk-in vaccinations today for any city resident. It’s quick and easy! twitter.com/robweychert/st…

One shot down, one to go. 🥲

Finally made my own batch of @kellianderson’s family fudge recipe and it was a very good idea. kellianderson.com/blog/2010/12/2…

If you’re in the Philadelphia area and concerned that unvaccinated seniors and others will be left behind when eligibility opens up next week, here are ways to help. whyy.org/articles/how-c…

Took a chance on this one knowing nothing about it but Hulu’s description of it (including the cast), which made it sound like a pretty standard late-80s cat-and-mouse serial killer thriller. What I got instead was maybe the most tonally confused movie I have ever seen, something like the product of a neural network trained on Sea of Love and A Fish Called Wanda. It doesn’t work at all, and I kind of love that… See more →

Here’s a great little crash course in visual storytelling from @LuBellWoo, for writers who want to get into writing comics. youtu.be/mXO1z3HrIF0

I love this post from @cassiecodes using a practical example to explain a few SVG concepts that are as simple as they are powerful. cassie.codes/posts/swipey-i…

Much of the criticism I’ve heard about Nomadland is that it doesn’t more forcefully editorialize. America’s broken healthcare system, Amazon’s labor practices, the shredding of the social safety net: they’re all there, but we don’t hear about them. And indeed, I was surprised by the gentleness of the film, waiting in vain for something terrible to happen. In her Vulture profile of Chloe Zhao, Allison Willmore nicely sums up the difficulty of telling these kinds… See more →

As fond as Kusama: Infinity is of its subject, the film does Yayoi Kusama a disservice by framing her story in a typically American binary notion of success. Apparently, prior to the last few decades of her status as one of the world’s most celebrated living artists, Kusama’s visionary talent was uniformly overlooked and/or disrespected, which is a funny thing to say about someone who spent the ’60s and ’70s exhibiting all over Europe and… See more →