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Incomplete Open Cubes Revisited poster
One poster, 4,094 variations on an incomplete open cube
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All Day Hey! 2023
An opening title sequence for a design and tech conference
I’m available for full-time or contract work
I make art and design, obsess over film and music, hoard trivial archival data, and share it all on this here website. Enjoy your stay.
One poster, 4,094 variations on an incomplete open cube
An opening title sequence for a design and tech conference
I decided to close out Christmas with the most sacrilegious thing within reach, but for all its cheekily provocative preoccupation with lust and power, Benedetta’s satire and sleaze are largely drowned out by a tedious veneer of prestige melodrama.
Massachusetts, I can’t say I miss ya.
A Grateful Dead cover band wouldn’t ordinarily get me out of the house, but a friend invited me, and the list of shows I’ve been to this year is depressingly short, so off I went. And I’m glad I did! I enjoy seeing something requiring a high level of skill done with a high level of competence, and so much the better if it’s in a passion-project capacity and an intimate environment like Ukie Club.… See more →
It’s hard to overstate how much I love this project. Pedro Neves, a professor at UIC’s School of Design, invited 40 designers from around the world to create letterforms out of Lego, which were then made into letterpress prints. Despite working within the same constraints (a set of bricks and up to three colors from a limited palette), the variety of results on display is wild, and I especially love the many ways people made… See more →
I didn’t have much access to TV during the heyday of To Catch a Predator, and while I was aware of the show, I don’t remember giving it much thought. I can’t say that anymore, thanks to this pensive documentary examining the show’s legacy, and I’m not surprised to learn I don’t find ritual humiliation masquerading as journalism to be entertaining or informative, regardless of who is being humiliated.
I’ve always been amazed Twin Peaks ever made it to air on network television in 1990, and its 2017 return, perhaps David Lynch’s most unfiltered vision, upped the ante on that amazement considerably, even in the streaming age of pricey prestige dramas. Has there ever been a creative work this vast and this weird with a production budget this big? Whatever you think of Lynch’s work, you have to admire his ability to carve out… See more →
I don’t know if it’s because some new responsibilities are taking me out of the house more than usual, or because humanity’s current ugly streak makes everything else look more beautiful, or because the chlorophyll decided now was the time to leave it all on the stage, but I’m really noticing the fall colors this year. Waking up to this radiant pear tree outside our window has been a quiet blessing.
This undoubtedly would have fared better in a packed theater than it did with me watching it alone at home, but I was pleasantly surprised it made me laugh out loud several times. Inevitably, its comedy feels conspicuously out of time, and I don’t think it’s on the level of the original, but I’m also not 12 years old anymore, and that’s not its fault. I spotted a couple very subtle sight gags, and I’m… See more →
My unexcused absence from social media kept me from finding out about the first-ever Philly Animation Festival until just a few days before it started, but luckily that was enough time for me to get a festival pass and make plans to attend every screening except the one for kids. In keeping with my Ottawa tradition, I rated and wrote at least a sentence or two about every single film I saw. Watching and reviewing… See more →
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